Full face report · September 11, 2026
A heart-shaped face with unusually even features, best served by softness at the jaw and lift at the eye.
Your face reads as heart with an oval runner-up: a broad, open upper face that tapers cleanly to a small chin. Symmetry is high, which is why the face looks calm in a straight-on photo. The proportions sit close to the classic thirds, with the lower face a touch short. Coloring is light and cool, low in contrast, so soft, muted color does more for you than anything dark or saturated.
At a glance
- Face shape
- heart 64% · oval 28%
- Color season
- Light Summer
- Eye shape
- Round
- Jawline
- Narrow
- Harmony
- 84 / 100
- Symmetry
- 96 / 100
- Apparent age
- 24 to 32
- Canthal tilt
- +8.6°
Face shape
Heart, with an oval runner-up
Length is 1.41 times the cheekbone width, which is oval territory. What tips it to heart is the jaw: at 0.57 of the cheekbones it is narrower than nine faces in ten, and the chin angle is sharp. The forehead is as wide as the cheekbones, so the widest point sits high.
Style for both shapes. Anything that adds width at the jaw and chin balances the taper: hair that kicks out at chin length, a side part, glasses with a heavier lower rim. Avoid volume at the crown and temples, which widens the widest point further.
What works, and what to do first
- ✓Symmetry in the high nineties, which is rarer than it sounds and is why the face photographs calmly.
- ✓Round, upturned, wide-set eyes that give the whole face its open expression.
- ✓A clean, straight nose that anchors the center line.
- 1
Add width at the jaw
Hair with movement at chin to collarbone length, or a blunt cut that ends at the jaw, adds visual weight where the face tapers. Tucking hair behind the ears exposes the narrow jaw; leaving it forward frames it.
- 2
Bring the brows in
Start the brows a few millimetres closer to the inner corner and keep the arch low and long. It narrows the space between the eyes on paper without touching the eyes, and evens the small brow asymmetry.
- 3
Lean into cool, soft color
Swap black and orange for navy, grey, rose and powder blue near the face. Silver over gold. This does more for the coloring than any product and costs nothing to test with what you already own.
Styling
Hair
Chin-length bob with a side part
Width where the face narrows, and the diagonal of the part breaks the symmetry of a broad forehead.
Long layers starting at the jaw
Keeps length while the first layer adds fullness exactly at the jawline.
Curtain bangs
They cover the outer forehead, the widest point, and open at the center over the eyes.
Glasses
Bottom-heavy or rimless-top frames
Weight low on the frame balances a wide brow line and narrow chin.
Round or oval lenses
Curves soften the sharp chin angle; avoid narrow rectangles that stripe the wide upper face.
Light tortoise or cool grey acetate
Muted, cool frame color matches Light Summer coloring; black frames overpower it.
Makeup
Winged liner, outer third only
Follows the natural +8.6° tilt and lengthens round eyes without closing them.
Blush on the apples, blended outward
Adds color at the cheekbones without contour, which a narrow lower face does not need.
Rose lip, natural edge
Cool tone for the season, and a defined edge widens the mouth slightly toward the nose ratio.
Color
Light Summer
Skin is very light with a cool, rosy hue and low saturation; the hair is a soft light brown and the eyes are dark and muted, so the contrast between them is low. Cool plus light plus soft is Light Summer. This is read from pixels, not drapes, so treat it as a strong starting point.
- powder pink
- powder blue
- seafoam
- lavender
- rose beige
- cornflower
- rose
- soft white
- dove grey
- light navy
Wear: powder blue, rose, lavender, soft white, dove grey.
Black, orange and saturated warm colors sit heavier than your coloring and pull attention away from the face; charcoal or soft navy replace black.
Cool pinks and rose on lips and cheeks, taupe rather than brown in the crease, and grey or navy liner instead of black. Keep finishes sheer; heavy matte reads flat on low-contrast coloring.
Features
Eyes
Round, upturned, wide-set
The eyes are tall for their width, with a clear upward tilt at the outer corner and more space between them than most. Together that reads as bright and open, and it is the strongest feature in the photo. Liner that extends the outer corner outward keeps the width and adds length.
Jawline
Tapers early to a small chin
The jaw tapers early and the corners are soft, so the lower face is a smooth V rather than a box. That is what the heart label is describing. It also means a close phone lens will exaggerate it; the reading here is from a straight-on shot, so it is real, but a half step back softens it further.
Lips and nose
Straight nose, mouth slightly narrow for it
The nose is straight and centered, with no measurable lean. The mouth is slightly narrow for the nose, which is typical of heart faces where the whole lower face is compact. Lip color to the natural edge, no overlining, is enough.
Tick = the typical face among 3,000 measured straight-on photos.
The measurements, explained
Harmony
High, held up by symmetry
The composite blends symmetry, thirds, fifths and golden ratio. Symmetry does most of the lifting here; the fifths pull it down because the eyes sit wide. In the mirror that reads as a calm, open face rather than a classically compact one, which is a good trade.
Symmetry
Very even, brows a touch less so
This is a very even face. Brows are the only region below 95, a hint that one brow arches a little higher, which is common and easy to adjust with tweezing. At this level, differences are invisible in life and only show up in mirrored composites.
Vertical thirds
Lower face runs a little short
Brow to nose base is the longest third, nose to chin the shortest. That is part of what makes the face read as heart rather than oval. A photo with the chin level, not tucked, would raise this; so would styling that draws the eye down, like a longer earring.
Horizontal fifths
Eyes set wider than the classic fifth
The horizontal fifths are off mostly because the eyes sit wider than the classic one-eye-width apart. That is not a fault, it is the feature that gives the face its open look. Brows that start slightly inside the inner corner bring the fifths closer without changing the eyes.
Golden ratio
Compact rather than elongated
Nothing here lands on 1.618, and nothing needs to. The length ratio is short of phi because the face is broad at the cheekbones; the mouth is a little narrow relative to the nose. A slightly wider lip line, drawn or smiled, moves that number more than anything else.
Tick = what a straight-on photo of a typical face scores. Harmony blends symmetry 35%, thirds 25%, fifths 25% and golden ratio 15%.
Apparent age
24 to 32
Smooth skin texture and full cheeks read young; the composed expression and a neutral hair part read slightly older. Even, front-on daylight keeps the read at the young end. Softer light and a relaxed smile would move it younger still.
About the photo
The photo is straight-on and evenly lit, so the width ratios and symmetry are reliable. Hair covers the temples, which the shape classifier cannot see, and no eye whites were bright enough to correct the color, so the season reading is provisional until checked in daylight.
An even, open face with clear coloring. Most of what would help is already in your hands: a part, a brow, and a change of colors near the face.
Written by Claude from your photo and 478 measured landmarks. Geometry-based estimate for styling guidance and entertainment, not a medical or psychological assessment. The photo was held only while this was written, then deleted. Face Shape Test is an independent product. It is not affiliated with or endorsed by Anthropic or OpenRouter; the paid report is written by Anthropic's Claude model, reached through OpenRouter.